London film lab for 16mm, 35mm and Super 8
Processing, scanning and archive film services
Analogue Image is an independent movie film lab in Wood Green, London, supporting longer analogue productions and large archives. We provide ECN-2 colour-negative and D96 black-and-white negative processing, film scanning, cleaning and post-production services.
Explore 16mm, 35mm and Super 8 film processing and scanning, or plan an archive film scan. Our knowledge base helps you prepare the specification.
Analogue Image is the company behind On8mil, supporting 8mm and 16mm filmmakers since 2014. Both brands use the same London lab. This site focuses on production enquiries and larger collections; On8mil also offers online film and lab-service ordering.
Tell us your format, footage, stock or archive material, and intended schedule. We can discuss processing, scan specifications and delivery around the project. Request a detailed quote or explore our film lab services.
Analogue Image Lab Services
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ECN2 colour negative processing of 35mm, 16mm, Super 8 and DS8 motion picture film formats.
D96 black and white negative processing of 35mm, 16mm, Super and DS8 motion picture film formats.
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Scan 16mm film on our Lasergraphics Archivist at resolutions up to 5K, 35mm film on our Blackmagic Cintel in 4K, and Super 8 and other small-gauge film on our Film Fabriek Mueller HDS+ at resolutions up to 4K.
Agree framing, colour treatment and file delivery for your production or archive. Explore our film scanning services.
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Comprehensive film restoration suite using Pixel Farm PF Clean and Phoenix software packages.
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Cleaning of newly shot and archive films using the new CineTech UK cleaner.
Cleaning of 35mm, 16mm and 8mm films.
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Colour grading suite using Black Magic Da Vinci Resolve
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We carry a wide array of Calder and Photomec consumables. POA.
Get in touch with a description what you’re in need of and we’ll check our inventory.
Shooting film is a creative choice
Grain, colour response and the discipline of working with a physical negative make film a creative choice for directors and cinematographers. A digital scan brings that material into an editing and grading workflow while retaining the character captured on the film.
For a longer production, plan stock tests, processing and scanning alongside the shoot and post-production schedule. For an archive, start with the collection’s condition and intended use. Our team can help you discuss the appropriate route.
Read more about shooting on film, explore our film knowledge base or contact the lab.